Autor -
a. Mendelssohn's Spinnerlied
b. Chopin's Fantasie Impromptu

Kiddo!Autor - Erik Satie's Gymnopedie no. 1

Hannibal -
a. Nicholas Lens' Agnus Purus
b. Chopin's Waltz in E Minor

Rae - Chopin's Nocturne Op. 9 No. 1 in B-flat Minor

Oswin - Bizet's Habenara aria

Fakir/Drossel/Bookmen - Prokofiev's Dance of the Knights

Charles - Camille Saint-Saëns' Danse Macabre
herr_bookman: (serious)
Note Hannibal can and will use anyone--including Charles, Guppy, and others:

Sunshine/Little!Rae - they're best friends; if I tell her anything, she'll tell the bar
Fakir
Duck
Mia
Oswin
Lucas
Lohengrin - Has already attacked him
Poins
Yugo
Karkat
Nepeta
Punie - ?

Questions: Can I assume these people will be subject to the same hurtful emotional "play" he does with me? How many of them does he know - and of those, how many does he know speak with me? How many of them does he find "rude"? Am I the only one who suspects anything?

He'd be quite capable of violence, should he choose to use it, but will he?
herr_bookman: (angry)
"Get up! Get up, you pretentious twerp!" they chortled, as he hit the ground.

Autor never used to fight his bullies. It was just easier that way, really. He'd collect his allotted amount of bruises and move on. Then he found Milliways. He met Rae. Lohengrin. Punie. People who thought he had some measure of worth.

The writer curls his fists as he stands, ready to strike or run, as necessary.
herr_bookman: (embarassed)
A list of everyone who has pressed their mouth on me against my will:
  • Katya licked me on the cheek while in tiger form in the forest
  • Tamara the Mermaid seduced me by the lake
  • Raven, a trickster god, took female form and kissed me on the mouth in the corner of the bar
  • A drunken Katya landed in my lap and smooched me on the cheek in the same booth as Raven's assault. I need to stop sitting in that spot.
  • Hannibal. Aged-down to seventeen. Bastard!

    Kisses that I consented to:
  • I kissed Mia on the cheek for helping me with sun jars for Rae
  • Rae. Also at seventeen. Um. Strange week.
  • Rae kissed me on the cheek because I gave her a bouquet of friendship flowers
  • Rae kissed me on the forehead while I was drunk; I later kissed her palm
  • I kissed Bonnie on the cheek, and later Rae, because Bonnie treated me to a song about... condoms. I was drunk but I don't regret the kisses.
  • Jay kissed me while I was drunk, and it was the first kiss that I've given to someone's mouth
  • A girl named Rikki kissed me on the hand to free me from the mistletoe
  • Emcee also kissed me to free me from the mistletoe and I, uh, kissed him back
  • Jay kissed me while I was stuck under the mistletoe, and then we kissed again after that to experiment. Yes.
  • I kissed Miss Kuriyama! She was stuck under the mistletoe with me and I kissed her hand and managed to pun her beforehand which was awful but the kiss was great!
  • Katya kissed me again on the tip of my nose to free me from the mistletoe--after teasing me, of course
  • Sherral kissed me, too, which was a surprise! It was to free me from mistletoe, naturally
  • Ava Wilson kissed me on the cheek to free me from the mistletoe because Dr. Lecter told her to. Grr!
  • Jay kissed me on the cheek and lips and invited me up to his room... Oh. I declined, because I don't love him. Do I?
  • Emcee kissed me on the cheek and apparently left a kiss mark there without telling me!
  • I kissed Jay. I was using him. Damn it.

    OOC Fun Facts:
    1. Poins also tasted his lips, which Autor does not remember as he was high on post-Cubefall opiates.
    2. Tamara's, Raven's, Poins', and Katya's second kissing sessions took place from late May to late June--four in roughly a month's time.
  • herr_bookman: (glasses)
    Reading List:

    Fairy Tales and the Art of Subversion, 2nd Edition [Paperback] - "The fairy tale may be one of the most important cultural and social influences on children's lives. But until Fairy Tales and the Art of Subversion, little attention had been paid to the ways in which the writers and collectors of tales used traditional forms and genres in order to shape children's lives – their behavior, values, and relationship to society. As Jack Zipes convincingly shows, fairy tales have always been a powerful discourse, capable of being used to shape or destabilize attitudes and behavior within culture."

    The Interpretation of Fairy Tales [Paperback] - "Of the various types of mythological literature, fairy tales are the simplest and purest expressions of the collective unconscious and thus offer the clearest understanding of the basic patterns of the human psyche. Every people or nation has its own way of experiencing this psychic reality, and so a study of the world's fairy tales yields a wealth of insights into the archetypal experiences of humankind."

    Breaking the Magic Spell: Radical Theories of Folk and Fairy Tales [Paperback] - "This revised, expanded, and updated edition of the 1979 landmark Breaking the Magic Spell examines the enduring power of fairy tales and the ways they invade our subjective world. In seven provocative essays, Zipes discusses the importance of investigating oral folk tales in their socio-political context and traces their evolution into literary fairy tales, a metamorphosis that often diminished the ideology of the original narrative. Zipes also looks at how folk tales influence our popular beliefs and the ways they have been exploited by a corporate media network intent on regulating the mystical elements of the stories."

    After thoroughly embarrassing herself in front of Lohengrin, Autor holds her cloak shut and staggers up the stairs. She grips the banister and tries not to slide back down the steps, gritting her teeth. How those girls do ballet, I have no idea, she thinks, as she grits her teeth against a fresh wave of nausea.

    'Moving is difficult' was not a side-effect the boy-turned-girl expected.

    Once she manages to stumble to her room, she drops her cloak to the floor. Then she digs into the bundle Bar gave her for the Goldkrone Academy's girl's dress. The boy's uniform she's currently wearing is a little too recognizable--and it's a tiny bit too large, besides.

    After setting the dress on the bed, she lifts a lacy contraption between two fingers and holds it out at arm's length. "The hell is this?" she says, marveling at the pitch of her voice.

    It only takes her a few seconds, of course, to recognize what it is, and why Bar gave it to her. But that's long enough to shriek and toss it in the corner--which unbalances her just enough to tip over.

    This... is quite possibly the worst idea I've ever had.
    An observation by Mia!Mun, paraphrased:

    You know that Millicanon!Autor is Aladdin, right? He starts out basically broke, travels to another world opened to him in part by a magical being, picks up a flying carpet, and now he's dating a princess.

    ... Just as planned.
    herr_bookman: (lean)
    Autor doesn’t do goodbyes. He prefers to simply fade in and out of people’s peripheral vision, leaving just the barest imprint that he was there at all. At the end of his trip to Lunar, though, he finds he’d be remiss if he’d just left everyone without saying something--a change he finds terribly unsettling.

    Plus, he has the impression they’d drag him back by his ears.

    So, in an effort to put off the inevitable, he dawdles in the markets on his final shopping trip. He picks up his carpet, of course. A ring, a slew of books, and some giga wasp venom. Then a few potions of floatation and pain reduction. Some giga ant eggs, truffles, and a little bauble he’d put an order in for weeks ago.

    And a present or two for the Lunarian residents. The most difficult farewell was to Majesty Lemia, of course. Followed by the children, whom he gifts with little trinkets and croissants. The next set of farewells are to Jessica, Master Mel, Nash--the latter of whom receives a smirk. And Rabastan, of course, with his ever-confusing lady-friend, Elea.

    Pockets empty and goodbyes said, Autor hesitates before following Mia through the door to Milliways. But only for a moment.
    herr_bookman: (sleepy)
    Pain never used to bother Autor, not really. He didn't dwell much on his or others'--there was no point wasting the time when he had so much work to be done.

    But then Lohengrin flinched and Rabastan cried, so now the boy is looking back at other ponds he may or may not have made waves in. To his chagrin, he found a few. Even worse, he found some storms ready to burst.

    So he put off his work and scoured the library for a solution. He devoured poetry after poetry book, history after history, and found nothing. As much as it irritates him, he's out of his depth. He knows he needs to turn to a person with experience in these matters.

    Someone who knows him, but is disconnected from the situation. Someone who can't possibly guess who else is involved. Someone who happens to be walking right beside him at the end of a long day.

    "Majesty Lemia?" he asks hesitantly, and then straightens his posture. "You have a great deal of experience in diplomatic negotiations, do you not?"
    herr_bookman: (glasses)
    "I swear, I've passed this fountain thrice already," Autor mutters, wrinkling his nose at his map of Vane, one of Lunar's capital cities.

    Mia had told him to go browse for flying carpets on his day off, so here he is, wandering around downtown and losing hope in finding the store he had set out to find. He sees groomed courtyards, crowded marketplaces, and a particularly gorgeous fresco of Althena, the local goddess, but nothing to do with airborne rugs.

    Autor frowns. All of this walking around is exacerbating the pinches in his legs, sore from a new morning run routine. Needless to say, the kid is stumped and irascible--something he's thinking about working out on the stupid fountain which he has now passed for the fourth time.

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